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Tony Cochran Guitars -
Boostercaster Guitar Live at The National Guitar Museum
Video of HP Newquist, Executive Director of The National GUITAR Museum, discussing Tony Cochran Guitars and playing the Cochran “Boostercaster” guitar, which is on tour with the museum’s travelling exhibit “GUITAR: The Instrument That Rocked the World.”
Tony Cochran Guitars “Boostercaster” guitar is in The National Guitar Museum. The National GUITAR Museum was founded to promote and preserve the legacy of the guitar. It is the world’s first museum dedicated to the history, evolution, and cultural impact of the guitar.
The NGM launched a Touring Exhibition entitled “GUITAR: The Instrument That Rocked The World” that began with previews outside NYC in February 2011. The national rollout was in Orlando on June 11, 2011. The exhibit is now booked at sites across the country for the next several years. At the completion of the tour, one U.S. city will be chosen to become the permanent home of The National GUITAR Museum.
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Inhibitor Electric Guitar
by Tony Cochran Guitars
The Inhibitor electric guitar is the ultimate example of a truly crazy man’s musical instrument. Crazy is such a politically incorrect term these days, as is nuts, bonkers, looney, and a brick shy of a full load of normal. All could apply to Junior Hoskins, of West Haywood, TN. Junior was arguably the most gifted guitar player that ever lived and if he could have successfully shut off the sounds in his head, that he claimed clamored continuously, he may still be remembered with today’s greatest guitar virtuosos. Instead he rapidly chased sanity down a worm hole of no return. Every week he would add “brain fixers” to his well worn axe in an attempt to quiet what he described as “How mice would sing with no heads.” What? Early attempts, remaining on the guitar, include the Wirl-A-Way with clear Reverse chamber, a number 22-6N7G Bell Toner with Vend light, an Electra 21.83MEG that’s externally wired, and a bridge magazine that is registering “Empty” right now. The Inhibitor was installed in late summer 1971. He had mixed results, but did manage to write one more cool song which turned out to be “Out of Limits” played backwards. A good woman, and even better meds, eventually solved a lot of his problems, but they also made him abandon guitar for leather tooling. He was lousy at leather tooling. - See more at: www.facebook.com/TonyCochranGuitars
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Betty Electric Guitar by Tony Cochran Guitars
This electric guitar was named after the owner’s beloved Mother, Betty Severton, a piano teacher in Lima, Ohio. She taught lessons in her 3rd floor walk-up on an old Baldwin Acrosonic spinet piano. When she finally got evicted in 1965, for nonpayment of rent, she hired 3 high school boys to help her move it. They decided to lower it out the window with an old rope and 2 leather belts. Betty, directing from below, was flattened when 1 of the belts slipped and sent 300 pounds of unfettered spinet onto her head. Emotionally as crushed as his Mother was physically, Kyle Severton made most of this guitar out of the bits and pieces of piano he recovered as well as his Mother’s good silver pie server. He wanted her symbolically with him and she loved pie. He went on to play in several now defunct bands trying to fuse Surf Rock with Gospel. He eventually quit to lay brick. - See more:
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by Tony Cochran Guitars
Detail pics at: http://www.tonycochranguitars.com/lighthouse-guitar.html
This electric guitar was found in the crawl space of a long defunct bordello in New Orleans that carried the same name. It is so flashy it could be mistaken for a 15th century religious artifact. Rumor is it belonged to Geoff Diedraugh, a purveyor of the “Creole Crush”, a wicked version of the blues. The “Creole Crush” was outlawed for “all public performance or as payment in kind”. No one knows what that means, but that’s how it’s still worded in municipal code. Geoff was a scofflaw who played it anyway and his rendition of “Sadie’s Gotta Hammer” got him arrested. He died in prison before he ever got a chance to retrieve the LightHouse guitar for an encore. You should see the weird photo that was in the case with it. Goes with the guitar if you want to see it.
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LightHouse Electric Guitar by Tony Cochran Guitars
LightHouse electric guitar - new creation by Tony Cochran!
"An electric guitar found in the crawlspace of a long defunct bordello in New Orleans that carried the same name…" ……..More to come:-)
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by Tony Cochran Guitars
The Steinlite electric guitar was found in a safe excavated from beneath the foundation of The Radio Building at 823 Kansas Ave. in Atchison, Kansas. It is rumored that Fred Stein, the genius who invented plug-in radio, was hiding it from the prying eyes of Gibson Guitar who wanted to sue him. In many ways similar to Gibson’s Les Paul model, the Steinlite differed with a bolt on neck, louvered sonic channels and also incorporated parts from his famous Grain Moisture Detector. When questioned about why an electric guitar would need moisture detecting abilities, Fred said, slyly, “You have to know when the woman you’re playing to wants you to put down the damn guitar and take care of business.” Fred was quite the kidder. It’s never been apart. I preferred to leave its rusty, crusty, industrial look undisturbed, along with any secrets its guts may spill. I can’t make anything light up on it, but then I don’t play that well.
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IonoGlobe electric guitar by Tony Cochran Guitars
The most unique feature of this electric guitar is the fully wired metal ball right by the neck. Farber Endison played this guitar in the late 50’s for a band called The Bubble Tops. Their specialty was car oriented Rock-a-billy music before anyone wanted to hear it. When Farber’s Uncle, Gropper T. Endison, was on safari in what is now known as Namibia, he had nearly been hit by a baseball size metal ball that fell from he sky. (This stuff still happens there. Google it.) He gave it to Farber claiming he could no longer bear the noises it made in his head. Farber’s brother, Clayton, a hypothetical electrical genius, wired it to the guitar and told Farber that it would enhance the almost inaudible, and probably imagined, sounds emanating from the orb. It was probably not true. What we do know is that soon after, Farber grew out his hair, quit wearing shoes, and would only play the guitar in a cave found in the mountains behind his parents’ house. He was found dead in 1965, deep in the cave with the guitar in his lap. There was a partially eaten sandwich and the diagram for five never before heard chords. To this day Clayton will not release them to the public.
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OSScaster Electric Guitar by Tony Cochran Guitars
This is the only electric guitar in existence where both an OSS device and a Tone Baker have been electronically mated successfully. Buckle up, guitarionados, this instrument is a rough old relic but its story is almost unbelievable. Osso Bucca was an immigrant who came to America in the ’60s after being fired by Galanti Guitar in Italy. He brought his knowledge of “radio gain” (that’s how it translates to English) with him to Wyoming. There he met up with Tex Gilders who had been fired by Fender for working on a device of his own, called a “Baker”. It’s not real clear what either of these devices is supposed to do singularly but, supposedly, they do it way better in tandem. The only quote from Gilder and Bucca was a note that said, “It does for tone what an oven does for biscuits”. I agree.
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Strobotac Electric Guitar - by Tony Cochran Guitars
This electric guitar was the result of sound experiments performed by Clavin P. Bogold in 1961. Unlike conventional guitar music, where notes are echoed in reverb, he attempted to make a device that preverbed or, in other words, reversed reverb. Everything was so analog and noisy back then. He recorded some surfer tunes with the guitar, but they just came out sad and oddly satanic. Now the motor knob is stuck and the elevation button and comfort control switch are not hooked up. It doesn’t preverb. It doesn’t reverb. It just verbs. Sounds amazing anyway. It might be the one-of-a-kind Strobolux Pacemaker Line bridge.
- See more at: http://www.tonycochranguitars.com/strobotac.html
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Angel 199 - Tony Cochran Guitars
This electric guitar was supposedly purchased in Rio de Janeiro, under odd circumstances, around April or May of 1965. I love it but can’t wait to get rid of it. The guy who bought it said there had been a horrible train wreck down there and the old woman who found it in the aftermath, crated and intact, couldn’t wait to get rid of it either. He sold it to me because HE couldn’t wait to get rid of it. He didn’t have the crate anymore, but said it had a broken seal from a Lithuanian monastery. There is a medallion of St. Michael below the bridge and the number 199 on a tag above the bridge pickup. It’s not clear why. I have no instructions on how to operate the wild circuitry, but it’s pretty. The guitar plays nice, but you don’t want it sitting out if you are by yourself. Play it when other people are with you or you’ll be the next one who can’t wait to get rid of it.
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Smashmouth Bass guitar
This electric bass guitar was played by Philip Endicot, who worked for General Radio back in the late 40’s - early 50’s. He scavenged parts there like a fat man in a bologna factory. His real passion was a 5 piece jazz band he belonged to called “Reform School”. This was one of the first jazz groups to go electric in Concord. He would use the pilfered parts on his bass in a quest to find “smashmouth boom”. Caught stealing red handed at G.R. in ‘58, he was sent to jail where he died in a fight over cigarettes, non-filtered Pall Malls to be exact. His brother inherited the bass and stuck it in his attic until 1998 when I bought it at his garage sale. It has the ultra rare contactor, a cool dark tone reed, and the infamous type 740 capacitance test bridge that G.R. was supposedly developing for a guy named Leo in Fullerton. (Never proven.)
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Shondracaster Electric Guitar
Here’s an odd electric guitar. The Spiritualist Heron Trippe built 3 Shondra platters in 1961. He named them after his wife, Shondra. They were designed to channel never before heard music into the physical world. No one was sure if he was scamming or sincere, but he claimed to have met with varying degrees of success. The one fastened to an accordian was destroyed in a bench fire at his workshop. Another is in a museum in Prague, screwed to a microphone. No one knows how it got there. This is the 3rd, attached to an electric guitar fashioned by Trippe in an effort to pick up “freak ghost chords”. Trippe died in 1963 and left no instructions on how to use it. Anyone for freak ghost chords?
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Tony Cochran Guitars created the Kamikazecaster guitar, commissioned by Dracula’s Cabaret in Gold Coast Australia for Dave Kume, aka Kamikaze D, lead guitarist. Dracula’s Cabaret is Australia’s longest running and most successful dinner theater … or circus! The new show, Transfusion, “features fast paced vampire variety that combines acerbic comedy, wicked burlesque, bizarre human circus and off the dial madness.” Check out the video of the wild guitar solo on the Kamikazecaster by Kamikaze D … even in an aerial act!
VIDEO at www.facebook.com/TonyCochranGuitars
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Boston Model L guitar
This guitar was the centerpiece of Sid Howell’s traveling circus side show, The Dark Maze. People would pay a quarter to get a chance to find the exit, thereby getting their money back. Adding to the confusion of twisted halls, dead end passages, and claustrophobic ceiling heights was an interesting noise. Larry Boston would play an almost ceaseless din of wails, screeches, and moan-like arpeggios on a guitar he modified for these performances. He named the guitar after himself. The neck plate was purloined from an old cigarette machine. Some say an old tape of one of these impromptu concerts inspired Eddie Van Halen’s Eruption back in the ’80s. I doubt it.
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This bass guitar was found in the wreckage of a Greyhound bus that ran off the road in 1951. There were only 6 people on the bus … the driver, 2 very deaf women from Huntsville, Alabama, a senator from Maine with his mistress, and a 12 year old off to visit his Grandmother in Tulsa. None checked in a guitar as luggage. There was a hand written note inside the case, on a thin sheet of rice paper. It said, “IT’S NOT MINE”… . Weird.
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