Photo with 27 notes
IonoGlobe electric guitar by Tony Cochran Guitars
The most unique feature of this electric guitar is the fully wired metal ball right by the neck. Farber Endison played this guitar in the late 50’s for a band called The Bubble Tops. Their specialty was car oriented Rock-a-billy music before anyone wanted to hear it. When Farber’s Uncle, Gropper T. Endison, was on safari in what is now known as Namibia, he had nearly been hit by a baseball size metal ball that fell from he sky. (This stuff still happens there. Google it.) He gave it to Farber claiming he could no longer bear the noises it made in his head. Farber’s brother, Clayton, a hypothetical electrical genius, wired it to the guitar and told Farber that it would enhance the almost inaudible, and probably imagined, sounds emanating from the orb. It was probably not true. What we do know is that soon after, Farber grew out his hair, quit wearing shoes, and would only play the guitar in a cave found in the mountains behind his parents’ house. He was found dead in 1965, deep in the cave with the guitar in his lap. There was a partially eaten sandwich and the diagram for five never before heard chords. To this day Clayton will not release them to the public.
Source: TonyCochranGuitars.com
Photo with 12 notes
OSScaster Electric Guitar by Tony Cochran Guitars
This is the only electric guitar in existence where both an OSS device and a Tone Baker have been electronically mated successfully. Buckle up, guitarionados, this instrument is a rough old relic but its story is almost unbelievable. Osso Bucca was an immigrant who came to America in the ’60s after being fired by Galanti Guitar in Italy. He brought his knowledge of “radio gain” (that’s how it translates to English) with him to Wyoming. There he met up with Tex Gilders who had been fired by Fender for working on a device of his own, called a “Baker”. It’s not real clear what either of these devices is supposed to do singularly but, supposedly, they do it way better in tandem. The only quote from Gilder and Bucca was a note that said, “It does for tone what an oven does for biscuits”. I agree.
Photo with 81 notes
Strobotac Electric Guitar - by Tony Cochran Guitars
This electric guitar was the result of sound experiments performed by Clavin P. Bogold in 1961. Unlike conventional guitar music, where notes are echoed in reverb, he attempted to make a device that preverbed or, in other words, reversed reverb. Everything was so analog and noisy back then. He recorded some surfer tunes with the guitar, but they just came out sad and oddly satanic. Now the motor knob is stuck and the elevation button and comfort control switch are not hooked up. It doesn’t preverb. It doesn’t reverb. It just verbs. Sounds amazing anyway. It might be the one-of-a-kind Strobolux Pacemaker Line bridge.
- See more at: http://www.tonycochranguitars.com/strobotac.html
Photo with 5 notes
Sandpiper Electric Guitar - by Tony Cochran Guitars
Monaco “Stallion” Ceriani worked his magic with this electric guitar at the now shuttered Sandpiper Motel and Lounge in Bolivia, NC. His music was a peculiar mix of P-Funk and Psychedelic Jazz with a weird Reggae flavor that left everyone confused about how to dance to it. It is rumored he built the guitar from the broken shell of a 1965 Firebird, an old Epiphone, and his dead Mom’s jewelry box. The Lounge was closed in 1975 when US 17 caused a decline in attendance. The Stallion decided to sell the guitar and switch to screenwriting. He was contributor to many Different Strokes episodes, as well as being a musical consultant to The Partridge Family. - See more at: http://www.tonycochranguitars.com/sandpiper.html
Photo with 20 notes
Smashmouth Bass guitar
This electric bass guitar was played by Philip Endicot, who worked for General Radio back in the late 40’s - early 50’s. He scavenged parts there like a fat man in a bologna factory. His real passion was a 5 piece jazz band he belonged to called “Reform School”. This was one of the first jazz groups to go electric in Concord. He would use the pilfered parts on his bass in a quest to find “smashmouth boom”. Caught stealing red handed at G.R. in ‘58, he was sent to jail where he died in a fight over cigarettes, non-filtered Pall Malls to be exact. His brother inherited the bass and stuck it in his attic until 1998 when I bought it at his garage sale. It has the ultra rare contactor, a cool dark tone reed, and the infamous type 740 capacitance test bridge that G.R. was supposedly developing for a guy named Leo in Fullerton. (Never proven.)
LIKE us at www.facebook.com/TonyCochranGuitars for details & photos link
Source: tonycochranguitars.com
Photo with 27 notes
Source: tonycochranguitars.com
Photo with 12 notes
Tony Cochran Guitars created the Kamikazecaster guitar, commissioned by Dracula’s Cabaret in Gold Coast Australia for Dave Kume, aka Kamikaze D, lead guitarist. Dracula’s Cabaret is Australia’s longest running and most successful dinner theater … or circus! The new show, Transfusion, “features fast paced vampire variety that combines acerbic comedy, wicked burlesque, bizarre human circus and off the dial madness.” Check out the video of the wild guitar solo on the Kamikazecaster by Kamikaze D … even in an aerial act!
VIDEO at www.facebook.com/TonyCochranGuitars
Source: facebook.com
I like to reimagine guitars that rock as well as look great doing it! Functional art. Take a quick video tour. More to come.
Steampunk? Dieselpunk? Electroindustrial? Psychoelectro? Rat? What is it for you? Like us at www.facebook.com/TonyCochranguitars to give us your opinion and ideas. Together we create something new!
Source: facebook.com